Chainsaw Man and the Art of Adaptation

Chainsaw Man is kind of a weird manga. A lot of that is clear from its first volume's cover: the campy B-movie title, the splashes of neon-green blood, the strikingly silly design of a chainsaw-sprouting Devil wearing a button-up shirt and tie. Yet w hat looks from the outside like little more than an exercise in hyperviolence is one of the most layered and interesting series on the market, one that contains intense emotional moments, savvy interrogations of capitalism , frank talk about teenage sexuality, some of the most compelling imagery in modern comics, and, yes, plenty of grime and gore. It's a lot of unexpected things in a small package—and somehow, we live in a world where it became a Shonen Jump megahit to the tune of twenty-three-million copies in circulation. It's strange that this story, of all things, has become a poster child for the modern manga blockbuster, but in some ways, it's unsurprising. The story's weirdness is up front in a way tha...